Emma Jean Scott (2023). Photo by Casey Gardner Ford

Copy of THE LEGACY SOCIETY (2)

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SCRIPT ANALYSIS, Oct 12 – Nov 2

 

DESIGNER/DIRECTOR LAB, Oct 12- Nov 2


SEASON PLANNING, Oct 24


PRODUCING & DEVELOPMENT SERIES PART 1: DEVELOPING A SCRIPT, Oct 20

SCRIPT ANALYSIS

OCT 12-NOV 2, 2026

MON, 6:30 PM-8:30 PM

This class is for anyone interested in dissecting a script from beginning to end and how to generate textually supported ideas for possible stage productions. Over the course of four weeks, participants will read four scripts focusing on: plot, character development, world-building, or play structure. Along with the script readings, supplementary materials will range from essays to short media clips to help participants explore the many ways to engage with a script.

DESIGNER/DIRECTOR LAB

OCT 12-NOV 2, 2026

MON, 6:30 PM-8:30 PM

This four-week course delves into the collaboration between the director and designer. Starting with a robust conversation about how to collaborate, from the initial concept meeting to opening night, students will then move on to practical experience. Participants will walk away with tangible tools for what to bring to the collaboration process to set themselves and the entire team up for success. This class is for people who identify as designers and/or directors.

INTRODUCTION TO LIGHTING DESIGN

JAN 18-FEB 8, 2027

MON, 6:30 PM-8:30 PM

In this four-week course, you will learn the fundamentals of lighting design. This includes understanding electricity when setting up a plot, how color affects a scene's mood, dissecting a scene, and knowing when lighting shifts need to happen. You will have hands-on activities that will encourage play and a sense of growth. This class is for individuals with basic knowledge of lighting design who want to learn more.

Audition Techniques

JAN 18-FEB 8, 2027

MON, 6:30 PM-8:30 PM

Range from theatre to film and TV, come to gain useful skills on how to have an effective and successful audition. Over the course of four weeks, students will practice what to expect when auditioning and information on how to navigate the Atlanta auditioning market. This class is for actors who want to establish a strong foundation in standard audition practices.

New American Plays

MARCH 15-APRIL 5

MON, 6:30 PM-8:30 PM​

Get ahead of the curve on the hottest plays and playwrights in the American Theatre. Led by AE’s Artistic Director Freddie Ashley, this class reads eight new plays (either unproduced or produced within the last year) by a diverse lineup of early-career to established playwrights. Each class includes an in-depth discussion of two plays over four weeks.

Scene Study

MARCH 15-APRIL 5

MON, 8:30 PM-10:30 PM

An acting class specifically tailored to working with a scene partner. This course will explore dialogue from plays and ways to strengthen your connection to your scene partner while still maintaining your presence onstage. This course is primarily for intermediate actors looking to sharpen their skills.

STAGE MANAGEMENT

MAY 17-JUNE 7

MON, 6:30 PM-8:30 PM

A virtual, four-week course geared for directors, stage managers, and anyone working in stage management. It will cover giving a descriptive outline of what is and is not in the purview of the stage manager, creating organizational tools that benefit the rehearsal and production process, going over tech week, and providing introductory information regarding calling a show, and an overview of union rules and regulations. This course will also delve into working with directors and leading effectively alongside them.

Musical Theatre

MAY 17-JUNE 21

MON, 6:30 PM-8:30 PM

Ready to take the next step in your musical theatre journey? This workshop is designed to strengthen core skills in storytelling, voice, and performance. Through weekly instruction, students will explore song analysis, acting fundamentals, and musical interpretation. The session culminates in a final showcase, allowing participants to apply what they’ve learned in front of an invited audience of industry professionals and loved ones.

Introduction to Playwrighting

MAY 17-JUNE 21

MON, 8:30 PM-10:30 PM

A four-week course designed for novice writers or those seeking a refresher on the fundamentals of Dramatic Writing. Each week, you’ll engage in writing prompts and exercises, chat craft, and discuss plays by dramatists such as Hansol Jung, Rajiv Joseph, Charly Evon Simpson, and Karen Zacarías. By the end of the course, you’ll have a collection of original writing, stronger skills in dialogue, building the world of the play, and character development, and be equipped with curated resources to stay connected to the contemporary theatre community.

directing

JULY 26-AUG 16

MON, 6:30 PM-8:30 PM

This course is built for people wanting to learn more about the art of theatre directing. Over the course of four weeks students will discuss analyzing scripts to create textually supported directing concepts, how to go about building a creative team including casting, what to include in a director's book, what to expect during the rehearsal process and how to get from rehearsal to technical rehearsal to opening night.

Principals of Stage Design

JULY 26-AUG 16

MON, 6:30 PM-8:30 PM

This course introduces students to the fundamental concepts and practices of theatrical stage design, exploring how visual elements communicate narrative, establish mood, and enhance storytelling on stage through a variety of design mediums. Students will explore design language, develop essential communication skills including drawing and rendering, and benefit from direct engagement with Actor's Express production and design teams who will share insights into real world production process, implementation, and build strategies.

Business of Show Business

JULY 26-AUG 16

MON, 8:30 PM-10:30 PM

This course is centered around the business of being an artist. The class will cover resume feedback, running a theatre from the perspectives of a managing director and an artistic director, theatre contracts, and tips on how to file your taxes as an artist.

Season Planning

Nov 7, 2026

10:00 AM-3:00 PM

Learn how a season is crafted and put together during this one day intensive . This four-hour masterclass guides you through the complete season planning process:

  • defining artistic vision
  • building balanced programming
  • considering budgeting and other constraints
  • connecting with audiences

 

Learn how to evaluate scripts strategically, balance accessibility with risk, navigate casting and creative processes, and how we align a season with mission and budget realities. The class will focus on real case studies and industry stories of successful seasons and cautionary tales. You’ll leave with a practical framework for building seasons. Best for emerging artistic directors, producers, board members and anyone interested in understanding how to shape a theatre’s future.

Art Critisism

Nov 14, 2026

10:00 AM-3:00 PM

This intensive develops critical analysis skills for evaluating and writing about theatrical work, making it ideal for students, critics, bloggers, adjudicators, and artists looking to sharpen their analytical mind. Participants will explore frameworks for constructive criticism, learn techniques for articulate and thoughtful commentary, and engage in discussion and practice that enhances their ability to engage meaningfully with the arts. The class runs from 10am to 3pm with an hour break for lunch, providing a full day of immersive learning and dialogue.

archetypes of shakespeare

Nov 22, 2026

10:00 AM-3:00 PM​

Explore and discuss the different character models Shakespeare uses in his work. Look at how the literary text shapes character development and the play's plot, and how the foils in the scripts pop off the page to make stories that have lasted centuries. This class is for lovers of Shakespeare, as well as people who want a deeper understanding of the texts many have studied and performed over the ages.

Scenic Painting

Dec 6, 2026

10:00 AM-3:00 PM​

This intensive teaches essential scenic painting techniques for theatrical productions, making it ideal for students, scenic artists, designers, and theater professionals looking to develop and refine their painting skills. Participants will explore various painting methods, materials, tools, and finishing techniques while learning how to translate design concepts into realized scenic elements on stage. Through hands-on practice and demonstration, students will gain practical knowledge to create professional-quality painted scenery that enhances theatrical design and production value.

Develop and perform your own one-person show in this three-course intensive. You will write, workshop, and rehearse and perform an original solo piece for the stage. Weekly Tuesday sessions (2 hours) focus on script development, character work, and performance technique. While weekly Zoom check-ins (1 hour) provide ongoing support and accountability. The series culminates in a public performance. Perfect for actors, writers, and solo performers ready to tell their story and build their portfolio.

*Get the whole series and save 20% on individual courses. Only Part 1 can be taken as an individual course

Part 1: developing a script

Oct 20-Nov 10

Tues, 6:30 PM-8:30 PM

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Biography

Atlanta: Alliance Theatre, Center for Puppetry Arts, OnStage Atlanta, Red Phoenix Theatre Company, School Street Playhouse. Regional: Argyle Theatre, John W. Engeman Theatre, HERE Arts Center, CM Performing Arts Center, College Light Opera Company. Education: BFA in Musical Theatre and BA in Technical Theatre, Manhattanville University. Kevin is excited to begin his journey with Actor’s Express with Girl from the North Country. He would like to thank his family and friends for always being in his corner. 

Biography

Mace is a Georgia born and raised theatre artist with a passion for daring and unconventional theatre. In 2024, Mace graduated from Kennesaw State University where they studied scenic design, carpentry, prop making, technical direction, and a variety of other production skills. At Actors Express, they participated in the production processes of “Cabaret,” “Mercury,” and “Topdog/Underdog.” Their local credits include work with Aurora Theatre, Alliance Theatre, Georgia Ensemble Theatre, Horizon Theatre Company, and Stage Door Theatre. When not in a black box, Mace enjoys cooking for their friends, learning about social liberation, and wading in creeks in the North GA mountains. 

Biography

Actor’s Express: Blues for an Alabama Sky, Mercury, Everybody’s Talking About Jamie, Cullud Wattah, Sunset Baby, Desire Under the Elms, Lizzie, Bootycandy, Intimate Apparel, Heathers the Musical, Fun Home, Head Over Heels.  Upcoming with Actor’s Express: The rest of Season 36!  Atlanta: Alliance Theatre, Theatrical Outfit, Atlanta Lyric Theatre, Horizon, Pinch N Ouch, Out Front Theatre. Outside of that, Nick is a vintage seller when not decorating shows – check out the goods at www.thatvintageguy.com

Biography

Ramey Ward currently serves as the Technical Director at Actor’s Express. Her recent technical direction credits include A Third Way and Topdog/Underdog. Additionally, Ramey was a Scenic Apprentice during the 2023-2024 season, contributing to the productions of Everybody’s Talking About Jamie, Mercury, Blues for an Alabama Sky, Cabaret (Asst. Scenic Designer), and The Cycle Breakers (Scenic Designer).

Looking ahead, Ramey will take on the roles of both Scenic Designer and Technical Director for The Thin Place by Lucas Hnath, which will close out Season 37 at Actor’s Express.

Ramey holds a BFA in Theatre Design and Technology from the University of West Georgia.

Biography

Claire Quinn received her BFA in Acting from CCPA at Roosevelt University in Chicago and her MA in Business of Creative Enterprises from Emerson College in Boston. Her recent credits include Rooted at Horizon Theatre and Flame and Filament at the Atlanta Fringe Festival. Claire is thrilled to be a part of the Actor’s Express team! 

Biography

Amanda Washington currently serves as the Associate Artistic Director at Actor’s Express. She joined Actor’s Express as the National New Play Network Producer in Residence from 2020 to 2022. Her AE directing credits include, Crossroads, Sunset Baby, cullud wattah, and Blues for an Alabama Sky. Amanda guides the apprentice company during their one-year sojourn with AE. Other areas of her work include Community Engagement and assisting the playwrights for the AE Playwrighting Commission Program. Amanda received her MFA in directing from the University of Southern Mississippi and her BA from Brenau University. To learn more about Amanda, visit her website at www.washingtonamanda.com.

Biography

Marysa Sutton joined Actor’s Express in July of 2021. She has previously worked in the world of campaign finance and public service. Her theatre credits begin and end with Switzer Elementary School’s production of Santa, You’ve Got Mail where she starred as Ms. Walker.

Biography

Seamus M. Bourne (Director of Production) has worked in production management for over ten years, the last several with Actor’s Express. He has designed scenery at AE for a number of productions including:  Topdog/Underdog, Blues for an Alabama Sky, Urinetown, Red Speedo, Skintight, Wolves, Next Fall and Spring Awakening. He has designed scenery or worked in other production capacities throughout Atlanta, including The Alliance Theatre, Theatrical Outfit, Aurora Theatre, Center for Puppetry Arts, Atlanta Lyric Theatre, Georgia Shakespeare and Theatre in the Square. Seamus is a four time Suzi Bass Award nominee. When not working, Seamus is Dad to Maddie & Holden, a home chef, and is a player/manager on an amateur baseball team in Atlanta. www.smbourne.com

Biography

Freddie Ashley has been Artistic Director of Actor’s Express since 2007. He has directed around 50 AE productions, including Doubt, Fun Home, The Crucible and Prayer for the French Republic. Locally, his work has been seen at Dad’s Garage, Atlanta Lyric Theatre, Jewish Theatre of the South, Theatre Gael and numerous projects with Aurora Theatre. Regional credits include The 25th Annual Putnam Country Spelling Bee at Connecticut Repertory Theatre, as well as many new play projects with the Playwrights’ Center, Kennedy Center, New Group, Page 73 and the Alliance Theatre, where he was Literary Manager and served as dramaturg for some 30 productions.

Ashley has worked on new play projects with some of the most compelling and important writers working in the American theatre today, including John Patrick Shanley, Joshua Harmon, Lindsey Ferrentino, Jen Silverman, Kenneth Lin, Janine Nabers, Marco Ramirez and Michael Lew.

He has been a frequent guest artist or lecturer at such universities as Virginia Commonwealth University, Hendrix College, University of Georgia, Austin Peay State University, South Carolina School of the Arts, Savannah College of Art and Design, and Oglethorpe University. He served on faculty at Georgia State University and Kennesaw State University, where he taught for 21 years.

He is a four-time Suzi Bass Award winner for acting and directing, and he has been named Best Director in Atlanta three times by Creative Loafing. Other awards include the Elliott Hayes Award for Dramaturgy from the Literary Managers and Dramaturgs of the Americas and the Kennedy Center American College Theatre Festival Medallion of Excellence. He has been profiled in American Theatre magazine in 2016, 2018 and 2025. He has served on the Board of Directors of the National New Play Network and on advisory boards for Emigrant Theatre and Working Title Playwrights.

 

He holds an MFA in Theatre Performance from the University of Southern Mississippi.

www.freddieashley.com

Biography

Ebony L. Jerry is a former 2017-2018 Actor’s Express Intern. She received her BFA in Performing Arts from Savannah College of Art and Design. Her credits include Suzi Award Winning for Best Ensemble The Wolves playing #8 at Horizon Theater, and Synchronicity Theater’s The Bluest Eye as the swing. She is very excited to be back at Actors Express, where it all began.

Biography

Actor’s Express: 2016-2017 Intern Company. Stage Manager: Blackpool and Parrish (Out of Box Theatre). Director: Shadow Cast of The Rocky Horror Picture Show, Next Fall (Georgia College). Irene Ryan and SDI nominations from KCACTF Region 4. BA in Theatre from Georgia College and State University. So thankful and excited for the opportunity to work with the artists and fellow interns at AE!

Biography

Actor’s Express: Sheila has been involved with Actor’s Express off and on since 1992 serving as Casting Assistant, Assistant Director, Props, Stage Manager, House Manager, Dramaturg and Fund Raising Coordinator. Other: She has served in many capacities at many theatres in Atlanta as well as Directing. She joined Chris Coleman at Portland Center Stage where she was Manager of Corporate Giving. Education: Sheila majored in theatre at the University of Texas. Email Sheila at [email protected].

Biography

Alex Scollon received his BFA from the Carnegie Mellon School of Drama with a concentration in Production and Technical Management, and in 2005 received his Master of Arts Management degree from the Heinz School of Public Policy also at Carnegie Mellon. During the early phase of his career Alex has specialized in leading small theatres and multidisciplinary arts organizations to grow into important cultural centers in their communities while maximizing earned revenue, developing strong boards of directors, and creating partnerships with local government and community organizations. Passionate about community development and engaging the next generation of leaders, Alex has been involved in numerous boards and committees including, downtown associations, chambers of commerce and NEA sponsored emerging arts leadership networks. He is thrilled to join the team at Actor’s Express and looks forward to building on the theatre’s already amazing reputation. When not at the theatre you will likely find him trying a newly opened restaurant, at a terrible movie, or reading about space exploration.